Autobiographies in English Literature

Autobiographies in English Literature

Autobiographies in English Literature : An autobiography (awe-tow-bye-AWE-gruh-fee) is a self-written biography. The author writes about all or a portion of their own life to share their experience, frame it in a larger cultural or historical context, and/or inform and entertain the reader.

Autobiographies in English Literature

Autobiographies have been a popular literary genre for centuries. The first Western autobiography is attributed to Saint Augustine of Hippo for his 13-book work titled Confessions, written between 397 and 400 CE. Some autobiographies are a straightforward narrative that recollects a linear chain of events as they unfolded. The genre has expanded and evolved to include different approaches to the form.

The word autobiography comes from the Ancient Greek auto (“self”) + bios (“life”) + graphein (“to write”) = “a self-written life.” It is also known as autography.

The History of Autobiography

Scholars regard Augustine’s Confessions as the first Western autobiography. Other autobiographical works from antiquity include Jewish historian Flavius Josephus’s Vita (circa 99 CE) and Greek scholar Libanius’s Oration I (374 CE). Works of this kind were called apologias, which essentially means “in my defense.” Writers approached these works not as acts of self-documentation but as self-defense. They represented a way to explain and provide rationale for their life, work, and escapades. There was also less focus on their emotional lives.

The Book of Margery Kempe, written in 1438 by an English Christian mystic, is the earliest known autobiography in English. (Though it didn’t see full publication until the 20th century.) Other early English-language biographies of note include:

  • Lord Herbert of Cherbury’s 1764 memoirs
  • John Bunyan’s Grace Abounding to the Chief of Sinnersin 1666
  • Jarena Lee’s The Life and Religious Experience of Jarena Lee(the first autobiography of an African American woman)

Philosopher Jean-Jacques Rousseau’s Confessions was published in 1782. It paved the way for the more thoughtful, emotionally centered autobiographies seen today. Autobiography as a literary genre emerged a few years later, when British scholar William Taylor first used the term to describe a self-written biography. He did so disparagingly, suggesting the form was pedantic. In 1809, English Romantic poet Robert Southey used the term more seriously to describe self-written biographies.

Starting in the 20th century, more young people started writing autobiographies. Perhaps the most famous example is Anne Frank’s The Diary of a Young Girl, about her time hiding from the Nazis in an Amsterdam attic. The 21st century saw an increase in autobiographical essay collections and memoirs by younger celebrities, including:

  • Anna Kendrick
  • Mindy Kaling
  • Gabourey Sidibe
  • Mike Birbiglia
  • Lena Dunham
  • Kevin Hart
  • Chelsea Handler

Autobiographies are not immune to controversy. One notable scandal involved author James Frey’s A Million Little Pieces. Originally billed as a memoir, evidence later emerged that Frey invented key parts of the story. This example underscores how easily authors can cross over into autofiction—fictional autobiography—and how seriously readers take authors’ responsibility to accurately and honestly market their books.

Types of Autobiographies in English Literature

There are a few different types of self-written works that qualify as autobiography.

Standard Autobiographies

In the most traditional form, authors recount their life or specific formative events from their life. This approach often utilizes a chronological format of events, but it doesn’t necessarily have to. An author’s approach might include a framing device such as flashbacks, in which they move from the present to the past as they remember their lives. For example, Broadway star Patti LuPone’s self-titled autobiography begins on the opening night of Gypsy in 2004 before moving back in time to LuPone’s childhood. An author could take a more stream-of-consciousness style, in which one memory links to another by a common theme. Irish writer Seán O’Casey narrates his six-volume Autobiographies in this manner


This is a type of autobiography that is narrower in scope and focus. It places greater emphasis on particular memories, thoughts, and feelings. A standard autobiography can certainly cover some of this same ground—most do—but the memoir is more interested in individual events or defined portions of the author’s life and the emotions and lessons behind them.

Henry David Thoreau is a notable memoirist. In Walden, he reflects on his time spent living in solitude in the woods of Massachusetts and what he learned about life and nature throughout this experience. Another example is The Year of Magical Thinking by Joan Didion, which relates the death of her husband and its impact on her life and work. Another is Wild by Cheryl Strayed, wherein Strayed remembers her time hiking the Pacific Crest Trail during a period of great change in her life.


The fictionalized autobiography, or autofiction, is another type of autobiography. The author presents their story not as fact but as fiction. This method gives them considerable space to take creative license with events and characters, thereby blurring the lines between reality and fiction. The overall goal is less about the author wanting to obscure facts and make things up and more a matter of taking another tactic to delve into their experiences in service of self-discovery. Taipei by Tao Lin is a work of autofiction. The central character, Paul, mirrors Lin’s own life and experiences, from the literary world of New York City to his ancestral roots in Taiwan.

Spiritual Autobiographies

These autobiographies center on the author’s religious or spiritual awakening and the subsequent journey their faith has taken them on. Common elements include struggles and doubt, a life-altering conversion, periods of regression, and sharing the “message.” These all act as endorsements of the author’s faith. Augustine’s Confessions, Paramahansa Yogananda’s Autobiography of a Yogi, and Augusten Burroughs’s Toil & Trouble: A Memoir are all spiritual autobiographies.

Autobiography vs. Biography

Both autobiographies and biographies are records of real lives, but there is one major distinction. A person other than the book’s subject writes a biography, while the subject themselves writes an autobiography. In this way, an autobiography is essentially a biography of the self. The biographer’s job is typically more involved, entailing detailed research into the life of the subject. The autobiographer, however, is usually not burdened by this because they lived through the events they write about. They may need only to confirm dates and stories to accurately relate the pertinent details.

The Function of Autobiography in English Literature

An autobiography allows the author to tell the true story of their own life. This is the reason why autobiographies have always been written by famous people. History tends to remember notable individuals for just one significant contribution or event and, even then, the public’s perception of it may be inaccurate. Writing an autobiography allows the author to share the real story and put it into the larger context of their life and times.

Most readers pick up an autobiography expecting some degree of subjectivity from the author. After all, the events chronicled happened to the author, so the writing will of course have a biased perspective. There are advantages to this subjectivity, though. The reader gets the real story directly from the person who lived it, unvarnished by others’ opinions or erroneous historical data.

One way this subjectivity is problematic is that the author may not possess the ability to see the story they’re telling from other perspectives. For example, they may not acknowledge any hurt they caused others, dangerous behaviors they engaged in, or the “other side” of a controversial event in which there are equally valid opposing viewpoints and experiences. Any of these deficiencies can result in a somewhat skewed narrative.

Writers Known for Autobiography & Autobiography in English Literature

  • Maya Angelou, I Know Why the Caged Bird SingsGather Together in My Name
  • Jung Chang, Wild Swans: Three Daughters of China
  • Isak Dinesen, Out of AfricaShadows on the Grass
  • Carrie Fisher, Wishful DrinkingShockaholic
  • Anne Frank, The Diary of a Young Girl
  • Ernest Hemingway, A Moveable Feast
  • Karl Ove Knausgård, My Struggle
  • Frank McCourt, Angela’s Ashes
  • Anaïs Nin, The Diaries of Anaïs Nin
  • Marcel Proust, Remembrance of Things Past
  • Patti Smith, Just KidsM Train
  • Mark Twain, The Autobiography of Mark Twain
  • Benjamin Franklin, The Autobiography of Benjamin Franklin
  • Malcolm X, The Autobiography of Malcolm X
  • Agatha Christie, Agatha Christie: An Autobiography
  • Nelson Mandela, Long Walk to Freedom
  • Mahatma Gandhi, Gandhi: An Autobiography 

Examples of Autobiographies in English Literature

Maya Angelou, I Know Why the Caged Bird Sings

Angelou’s autobiography is the first installment in a seven-volume series chronicling the life of the legendary poet, teacher, actress, director, dancer, and civil rights activist. Given all those roles, it’s easy to see why Angelou’s life story makes for interesting reading.

This volume centers primarily on her early life in Stamps, Arkansas, and the devastating effects of a childhood rape. It also explores racism in the American South. It discuses the important role reading plays in helping young Maya deal with the sexual assault and pervasive prejudice in her environment.

Helen Keller, The Story of My Life

Keller’s autobiography details her first 20 years, starting with the childhood illness that caused her blindness and deafness. She discusses the obstacles she had to overcome and the life-changing relationship she shared with her teacher, Anne Sullivan, who helped her learn to read and write. Keller also documents her friendships with several famous figures of her day, including Alexander Graham Bell, John Greenleaf Whittier, Oliver Wendell Holmes, and First Lady Frances Cleveland.

Vinh Chung,Where the Wind Leads

Chung’s autobiography recalls the harrowing story of a Vietnamese refugee and his journey to make the American Dream his own. Born in South Vietnam, Chung comes of age in a changing political climate that eventually compels his family to flee the country. Their voyage takes them through the South China Sea, run-ins with pirates, resettlement in Arkansas, and Chung’s graduation from Harvard Medical School.

How to Write an Autobiography

Autobiographies in English Literature is a truly universal art form and is accessible to anyone, whether you’re in high school or 100 years old. Exploring the process of writing an autobiography deserves an article in itself, but the process should include these steps:

  • Determine your “why.” What lessons do you want to impart via your story, and why are they worth sharing with a broader audience?
  • Draft an autobiographical outline. It should include information about your upbringing, impactful moments throughout your life, stories of failure and success, and meaningful mentors.
  • Begin with the easiest sections. Getting started is often the greatest hurdle, so begin by writing the chapters that feel most accessible or enjoyable.
  • Write your first draft. Once you write the first chapters, it will feel easier to write the rest. Capitalize on your momentum and write a full draft.
  • Step away. As with anything, stepping away from your work will help foster fresh perspectives when you return.
  • Edit and re-write your draft. Your first draft will probably benefit from thorough revisions, as will your second draft, and maybe your third. Continue to edit and revise until it feels right.
  • Ask for help. Bring in a trusted family member or friend or professional editor to help with final edits.


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